David Vichnar of Equus Press continues his series of mini-reviews covering the best of contemporary independent small-press production, each instalment dedicated to some (usually three) of their most recent & interesting titles. In the sixth instalment, the focus is—mono- & polythematically—on the work of D. Harlan Wilson (DHW), his five books brought out by Raw Dog … Continue reading
GlassHouse is the pathology of a convergence of times and places. It’s a snapshot of an object in four dimensions (an event, its antecedents, and its descendants) which has been broken into shards of various perspectives, and then unrolled. Jacques Derrida described the critique of literature as a type of counter-signature to documents, whose meaning narrates a distinct experience … Continue reading
To bid farewell to a difficult 2020 and welcome a more hopeful 2021, David Vichnar of Equus Press has penned a series of mini-reviews covering the best of contemporary independent small-press production, each instalment dedicated to three of their most recent & interesting titles. In the fifth instalment, the focus is on three books—one older, … Continue reading