//
archives

Equus Press

EQUUS was established in 2011 with the objective of publishing innovative & translocal writing.
Equus Press has written 118 posts for equus press

The Surrealist Situation of the Object / The Situation of the Surrealist Object (Part 1/4)

*Lecture presented on 29 March 1935, at the Mánes Gallery in Prague and, later on, at the end of April in Zurich. This translation departs from the Czech translation of the original version delivered in Prague. In the French original, the lecture was published in André Breton, Position politique du surrealisme (Paris: Éditions du Sagittaire, … Continue reading

“NO STORY BUT A SPINNING”: DANIELA CASCELLA’S SINGED

“It starts with no story but a circular / It starts with no story but a spinning / It starts with no story but a spinning into before that is to come…” Daniela Cascella’s Singed: Muted voice-transmissions, after the fire starts not with creation, but destruction – a library ravaged by fire. What of the singed debris can … Continue reading

Equus Press in London – Announcements & Invitations

Equus Press is proud to be taking part again in this year’s Small Publishers Fair at Conway Hall, Red Lion Sq, London. Equus books will be available for sale on Friday & Saturday, Nov 10 & 11, from 11am to 7pm daily.

Adolf Hoffmeister, The End of Dada

*Adolf Hoffmeister (1902-1973), Czech writer, playwright, painter & caricaturist. His reviews and interviews with the avant-garde scene in 1930s Paris & New York have been collected in Podoby (1961; Images) and Předobrazy (1962; Adumbrations). His most notable works include his interviews with James Joyce and his 1932 first-ever Czech translation of “Anna Livia Plurabelle” a fragment of Work … Continue reading

“TO WALK, WITH THE CERTAINTY OF SLEEPWALKERS, INTO THE VERY CENTRE OF IMMEDIATE KNOWLEDGE” – Vítězslav Nezval on André Breton

*“Afterword” to André Breton, Co je surrealismus? Tři přednášky [What is Surrealism? Three Lectures], Brno 1937 NOTE: Well-known are André Breton’s visits, in 1934-35, to Prague, during which he delivered three crucial lectures, hailing the city as “the magical capital of old Europe […], one of those cities that electively pin down poetic thought, which is … Continue reading

RICHARD MAKIN’S WORK OF MOURNING

I can’t remember. We’re just below the hospitality hoax at the riverend. By then I was sold: low ebb of gravity hence had already the vision. The things that hatched out of the eggs resembled lizards.[1] Readability bears this mourning: a phrase can be readable, it must be able to become readable, up to a … Continue reading

LANGUAGE IS NEVER INNOCENT

JUAN GOYTISOLO +4.6.2017 “And it’s true that my own birth as a writer coincides in fact with the destruction of my literature, of the literary moulds which in routine fashion I took from tradition.” So reflected the author of alienation & exile, Juan Goytisolo – who this Sunday passed away – in a 1984 interview … Continue reading

Prague’s Indie Writing Scene @ DiverCity Week and Prague Microfestival

By Lisanne Meinen From April 10th to April 13th, Týden Diverzity, or DiverCity Week, will be taking place in a recently renovated building at 4 Hybernská Street. This free four-day festival, run by Charles University, is themed on ‘City and Emotions’, connecting Prague with exhibitions, lectures, discussions and workshops. Events begin at 10am and continue … Continue reading

Notes on Proceduralism, Part 1 – Walter Abish

In the chapter of his book, Design and Debris: A Chaotics of Postmodern American Fiction, devoted to what he calls American “proceduralism,” Joseph M. Conte makes further distinction between proceduralism and mere structural formalism. Whereas the value of the latter—common to all literary writing observant of formal/generic conventions—is largely based on its conformity with the … Continue reading

“Like Ants Within the Confines of a Plastic Maze” – from THOR GARCIA’S PINK ALLIGATOR

*Excerpt from Thor Garcia’s long-awaited opus magnum Pink Alligator, forthcoming with Equus Press in autumn 2017. Editor’s Introduction My experience working with Captain Chip Traybon Walkner, which included editing this manuscript, was illuminating and rewarding. In addition to his other attributes, Captain Walkner is a gifted observer and interpreter of human behavior. I think you’ll agree … Continue reading

“MAN OF LETTERS, AROUND LETTERS, AROUND THE ALPHABET”: GEORGES PEREC († 7 Mar, 1982)

*Marking the 35th anniversary of his death, David Vichnar’s piece reviews George Perec’s oeuvre in terms of its commitment to experimental innovation in the best modernist fashion. Even today, more than thirty years after his death, Georges Perec (1936-82) is still a member of the Oulipo group, which—and this ties in with what has been … Continue reading

Announcing the Release of the 2nd edition of Louis Armand’s THE COMBINATIONS

End of radio blackout. Equus Press is proud to announce the release of the 2nd “pocket” edition of Louis Armand’s The Combinations aka The Big Combo. Order here or enter the Goodreads giveaway here (starts Mar 8), or write directly to us for review copies. Why bother with firebricks when you can stuff 139 of these … Continue reading

“A Book is Like a Time Bomb, and a small, demure time bomb seems to me most efficient of all.” – i.m. HARRY MATHEWS (1930-2017)

*Marking yesterday’s passing of the great (and only) American Oulipian writer Harry Mathews is David Vichnar’s article below, reviewing his novelistic career from the 1960s to the 90s. The article is extracted from the forthcoming study, The Avant-Postman: James Joyce and the Postwar French & Anglophone Avantgarde. Harry Mathews (1930-2017) was a writer officially Oulipian, who was born in New … Continue reading

BETWEEN A CACTUS & LÉVI-STRAUSS: THE PRIMITIVIST POETICS OF VÉRONIQUE VASSILIOU

*By Louis Armand; republished from The Organ Grinder’s Monkey: Culture after the Avant-garde (Prague: Litteraria Pragensia, 2013) 1. “Savage thought,” in Claude Lévi-Strauss’s oft-repeated dictum, “can be defined as analogical thought.” Analogical thought: a primitive mode of reason inhering in the grammar of to, with, between – hence a predilection for, and dependence upon, tropes of … Continue reading

THE EXPERIENCE OF LIMITS IN ARNO SCHMIDT’S Bottom’s Dream

*By Tim König, co-translator of Melchior Vischer’s 1920 Dada masterpiece Second through Brain (Equus: 2015). Man is but an ass if he go about to expound this dream.[1] An “instrument of terror”[2] For a long time, Arno Schmidt was an underdog of German literature in the Anglophone world. After 2016, this could change, as his huge … Continue reading

"Modernity today is not in the hands of the poets, but in the hands of the cops" // Louis Aragon
"It is the business of the future to be dangerous" // A.N. Whitehead

Enter your email address to follow this blog and receive notifications of new posts by email.

"Poetism is the crown of life; Constructivism is its basis" // Karel Teige

Goodreads

“I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn’t wake us up with a blow on the head, what are we reading it for?…we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us” // Franz Kafka, letter to Oskar Pollack, 27 January 1904
December 2017
M T W T F S S
« Nov    
 123
45678910
11121314151617
18192021222324
25262728293031