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Equus Press

EQUUS was established in 2011 with the objective of publishing innovative & translocal writing.
Equus Press has written 176 posts for equus press

” You are no longer on the list. I have loved to death in the past. Is there something I am supposed to be doing.” – Richard Makin, WORK (Chapter XXII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“This manoeuvre is strategic: your destined path cancels my own” – Richard Makin, WORK (Chapter X)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“All that remains is an air-filled cavity connected to the throat, containing three tiny linked bones that transmit vibrations” – Richard Makin, WORK (Chapter X)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

CHAPTER THIRTY-SIX: PeaceZone/WarZone 2008 (excerpt from MENTAL SHRAPNEL, by Phillip O’Neil)

Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of his life. She was killed in the siege of Sarajevo and his ability to live and love again died with her. … Continue reading

CHAPTER THIRTY-FOUR: WarZone 2008 (excerpt from MENTAL SHRAPNEL, by Phillip O’Neil)

Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of his life. She was killed in the siege of Sarajevo and his ability to live and love again died with her. … Continue reading

“The cause of my insomnia was a simple desire to witness” – Richard Makin, WORK (Chapter XII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“Overnight, passersby became so many death vessels” – Richard Makin, WORK (Chapter XV)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“When you have walked through all this indifference, we may finally touch” – Richard Makin, WORK (Chapter XXVI)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“An isolated speech event took place in the middle of the critical word” – Richard Makin, WORK (Chapter XXVII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

CHAPTER FIVE: Prague 1992 (excerpt from MENTAL SHRAPNEL, by Phillip O’Neil)

Equus Press is proud to announce the forthcoming publication of MENTAL SHRAPNEL, a novel by Phillip O’Neil. From the pre-publication blurb: “Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of … Continue reading

“The scheduled massacre still took place in the park that afternoon” – Richard Makin, WORK (Chapter XX)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“Imagine a room about a film about a journey to a book” – Richard Makin, WORK (Chapter II)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“A bare monochrome terrain with two distant block houses” – Richard Makin, WORK (Chapter IV)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

Chapter Thirty-Five: WarZone 2008 (excerpt from MENTAL SHRAPNEL, by Phillip O’Neil)

Equus Press is proud to announce the forthcoming publication of MENTAL SHRAPNEL, a novel by Phillip O’Neil. From the pre-publication blurb: “Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of … Continue reading

“Please have your kidneys ready at the barrier” – Richard Makin, WORK (Chapter XXXII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“She gave birth to the sky under the spin of an abandoned galaxy. And it was indeed essential for us to ration ourselves” – Richard Makin, WORK (Chapter XIV)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“Forgetrance. Today is forgetfulness day; it’s one hundred years since memory collapsed into a trench.” – Richard Makin, WORK (Chapter XVII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“I doubt this will survive you – screams in the street, screams in the sky. There’s no time for quotation” – Richard Makin, WORK (Chapter XXVIII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“His next novel was a pocketbook: the reader could take it to a riot and it wouldn’t slow her down” – Richard Makin, WORK (Chapter XXIII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“Occasionally the narrative appears to run on, of a sudden switches penitent for scribe” – Richard Makin, WORK (Chapter XXI)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“The tale speaks for itself, of our exodus. Origin is late (earlier in compounds) and rumoured uncertain” – Richard Makin, WORK (Chapter XXIX)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“A border or threshold — the development of meaning here is a puzzle” – Richard Makin, WORK (Chapter XIII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“THE FASCIST & THE FEMINIST: A Visit to Mr. Language & Ms. Spectacle,” by Thor Garcia (Part One)

“Hide and seek wasn’t a game that day. I devoured his book in one breathless sitting. I see you now. Every little helps.” – Richard Makin, WORK (Chapter XXIV)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“Inaction in action has the same meaning. Notwithstanding, there is much humour.” – Richard Makin, WORK (Chapter V)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

Ken Nash, 3 stories from LIFE RAFT

In a review of The Brain Harvest, Ken Nash’s first story collection, artist Clare Le Couteur describes a typical Nash story thus: “You turn it over again in your hands, like a wooden puzzle. You can figure out how it comes apart and fits back together, but still can’t seem to fit it in your … Continue reading

“The process in the mind corresponds precisely to the process on paper” – Richard Makin, WORK (Chapter XVIII)

As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading

“These events appear unconnected” – Richard Makin, WORK (Chapter XIX)

Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” and dealing with the processes of passing, disappearance, & death. As David Vichnar has observed (see here), Makin’s is writing born out of “the obsession of the I that wants to die without ceasing to be I.” … Continue reading

Melchior Vischer, TEXTS FOR DADAGLOBE

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

“This passage contains some words that don’t belong” – Richard Makin, WORK (Chapter XXX)

Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” and dealing with the processes of passing, disappearance, & death. As David Vichnar has observed (see here), Makin’s is writing born out of “the obsession of the I that wants to die without ceasing to be I.” … Continue reading

“Universe” – Melchior Vischer’s Texts for the DADAGLOBE Anthology (Part 6)

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

“Oho!” – Melchior Vischer’s Texts for the DADAGLOBE Anthology (Part 5)

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

“The Marmelade Surah On Allah” – Melchior Vischer’s Texts for the DADAGLOBE Anthology (Part 4)

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

“Those things breaking the surface look like fingers. ” – Richard Makin, WORK (Chapter XVI)

Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” and dealing with the processes of passing, disappearance, & death. As David Vichnar has observed (see here), Makin’s is writing born out of “the obsession of the I that wants to die without ceasing to be I.” … Continue reading

“The Song Of A Clothes Iron On The Bridge Of Argenteuil” – Melchior Vischer’s Texts for the DADAGLOBE Anthology (Part 3)

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

“Isn’t civilisation like a condom?” – Melchior Vischer’s Texts for the DADAGLOBE Anthology (Part 2)

Prague Dadaist Melchior Vischer (1895-1975; for more info see here and here) was a prominent figure in early 20s Prague’s artistic scene. After serving briefly in WW1 and then graduating from Charles University, Vischer worked as a theatre critic for the major daily Praguer Presse, where he was an early champion of the work of Franz … Continue reading

Richard Makin, WORK (Pre-publication excerpt)

We at Equus Press are proud to announce the planned publication (in late 2019) of Richard Makin’s Work, a piece accompanying (in its newly rewritten form) Makin’s Mourning (Equus Press, 2015). Work thus both precedes (its previous version published by Great Works in 2006) and follows Mourning, continuing the “work” of Mourning by textually reckoning and coming to terms with “the minutiae … Continue reading

"Modernity today is not in the hands of the poets, but in the hands of the cops" // Louis Aragon
"It is the business of the future to be dangerous" // A.N. Whitehead

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"Poetism is the crown of life; Constructivism is its basis" // Karel Teige

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“I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn’t wake us up with a blow on the head, what are we reading it for?…we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us” // Franz Kafka, letter to Oskar Pollack, 27 January 1904
July 2020
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