To bid farewell to a difficult 2020 and welcome a more hopeful 2021, David Vichnar of Equus Press has penned a series of mini-reviews covering the best of contemporary independent small-press production, each instalment dedicated to three of their most recent & interesting titles. In the third instalment, the focus is on Seattle-based Sublunary Editions & its … Continue reading
The forms we know, on each scale level, have collected into themselves by accretion, from the debris of previous forms. Earth and Sun are stardust, while we ourselves are comprised of fragment proteins, endocrines, and other factors which have joined electrostatically, having found each other within soups of bioplasm… Our lives are arranged from fragments … Continue reading
To bid farewell to a difficult 2020 and welcome a more hopeful 2021, David Vichnar of Equus Press has penned a series of mini-reviews covering the best of contemporary independent small-press production, each instalment dedicated to three of their most recent & interesting titles. In the second instalment, the focus is on Kansas-based Inside the Castle.
Bidding farewell to a difficult 2020 and welcoming a more hopeful 2021, Equus Press’ very own David Vichnar has penned a series of mini-reviews covering the best of contemporary independent small-press production, each instalment dedicated to three of their most recent & interesting titles. In the first instalment, the focus is on Minneapolis-based 11:11 Press.
“Sinequanon threads of Gonzo journalism tie hot shards of Philip K. Dick’s paranoid fantasies to Kingsley Amis’ insouciant British humour in this 400-page pill, as we are flung between war-torn Sarajevo & post-communist Prague between the early 90s & the late 00s. A war correspondent come psychotherapist, Christopher Mahler, is sequestered into a theatrical vortex … Continue reading
XXXIII We are unorchestrate — dark columns in the great fugue, intersecting spindles of light, neural ganglia. Or, misdoubt, the art of setting stage or disrupting a unique pictorial event: birdlife clinging to an old man in the square. Saints fly down. I’ll make up my own mind about the crew. I’ve got the bag with the … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s WORK continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s WORK continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of his life. She was killed in the siege of Sarajevo and his ability to live and love again died with her. … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of his life. She was killed in the siege of Sarajevo and his ability to live and love again died with her. … Continue reading
Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of his life. She was killed in the siege of Sarajevo and his ability to live and love again died with her. … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
Equus Press is proud to announce the forthcoming publication of MENTAL SHRAPNEL, a novel by Phillip O’Neil. From the pre-publication blurb: “Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
Equus Press is proud to announce the forthcoming publication of MENTAL SHRAPNEL, a novel by Phillip O’Neil. From the pre-publication blurb: “Chris Mahler was a top psychologist, but that was before the war in Bosnia. Something happened to him during that war – it left him too traumatised to remember. Jasmina was the love of … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
