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As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
In a review of The Brain Harvest, Ken Nash’s first story collection, artist Clare Le Couteur describes a typical Nash story thus: “You turn it over again in your hands, like a wooden puzzle. You can figure out how it comes apart and fits back together, but still can’t seem to fit it in your … Continue reading
As Iain Sinclair has observed, Makin’s “writing is that it is. This is prose you must learn to experience before you begin to interpret […] the pages in their beautiful and delirious abstraction are ordered poetry.” Richard Makin’s Work continues the “work” of Mourning by taking stock of “the minutiae of the view, the dissenting details,” … Continue reading
equus press 