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Lumpenproletariat. Writing Attack / Antisystem / Subliterature

Lumpenproletariat. Writing Attack / Antisystem / Subliterature

*Republished courtesy 3AM Magazine

Valorised by the Situationists as a demographic of urban drift and a manifestation of the “no work” ethos, this sub-proletariat is the very opposite of anything that could be called a movement let alone a class, and is perhaps better considered according to the sense of Bataille’s l’informe : that non-category of the conventionally “excluded,” as in gobs of spit, vomit, piss, shit, ejaculate, etc.; as in the reviled; as in human waste, trash, scum. If the “subliterary” draws its impetus from such an aesthetico-political formlessness, it does not thereby represent it, rather it amplifies its disturbances, which (like a retrovirus) are in turn “given form” by the expropriative whitewashing action of institutional power – exposing, by infecting, that “secret” and equally unformed reflection at its core. It is like that abominable unsleeping creature that flies through the night polluting the vacuous dreams of all the little infant captains of industry, whose beatific repose is the faceless pornography of other people’s nightmares.Continue reading



  • EQUUS PRESS was established in 2011 between Paris, London & Prague with the objective of publishing new writing that is innovative & conscious of being doubly marginalised: outside the literary establishment defined by the Anglo-American publishing industry, & outside the confines of nationalism, pursuing a broadly cosmopolitan “agenda.” // EQUUS believes that such a doubly marginalised position allows for a writing both idiosyncratic & authoritative in its distance from which it can take a stand, make a change, & matter; an ability increasingly rare in titles conforming to the dictates of the book market & tastes of mass readership. // EQUUS considers its mission to offer the possibility of publication to writers & writing that matters, focusing mainly, though not exclusively, on Anglophone writing written outside of its native emplacement.
"Modernity today is not in the hands of the poets, but in the hands of the cops" // Louis Aragon
"It is the business of the future to be dangerous" // A.N. Whitehead

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“I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn’t wake us up with a blow on the head, what are we reading it for?…we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us” // Franz Kafka, letter to Oskar Pollack, 27 January 1904
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